Editing

Film and light across the whole shoot — without leaving the pick

Film looks in the spirit of Portra and Classic Chrome, exposure, contrast, shadows and warmth. One frame, the selection or the whole shoot. The files on disk never change.

Selecta Pro editing panel with film looks
Selecta Pro editing panel with film looks
Selecta Pro editing panel with film looks

One frame, six looks

Film looks are previews here; the real ones render on your Mac.

Warm negative
Muted chrome
Black & white
Vivid slide
Faded
Cool daylight

What editing can do

Film looks

A curated set of looks in the spirit of classic negative and slide films. One click, and the shoot has a character.

Light

Exposure, contrast, highlights and shadows with sliders that behave like a camera, not a chemistry lab.

Colour

Warmth, tint and saturation on top of the film look, so skin stays skin.

Apply to all

Lay the edit on the selection or the whole shoot at once. Consistent from the first frame to the last.

Before and after

Hold the eye to see the original. Edits show in the grid, the viewer and side-by-side compare.

Non-destructive

The edit lives next to the project and only leaves in export. RAW and JPEG on disk stay as they were.

Film, not AI profiles

A look you choose, not a model that guesses

Other tools train an AI on your past edits and apply it to new shoots. Selecta gives you film looks and light controls you can see and adjust, so every shoot looks deliberate — and everything runs on your Mac, with no uploads and no credits.

Before and after compare in the viewer
Before and after compare in the viewer

Export the way the job needs

Originals

Copies of the files as they are, metadata kept. For the lab and the archive.

JPEG with the edit, alongside

Processed JPEGs in a “With edit” subfolder, originals untouched.

Into Lightroom

Ratings and labels in XMP next to the frames. Open the catalogue — the pick is already there.

Early access

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